Is the DJI Inspire 3 good enough for feature films and documentaries?

Indeed it is. The DJI Inspire 3 is ideal for film projection on cinema screens. Its full-frame 8K Zenmuse X9-8K Air camera features a 35mm sensor, shoots 8K at 75fps and 4K at 120fps and supports CinemaDNG, Apple ProRes RAW, and ProRes 422 HQ. With 14+ stops of dynamic range and dual native ISO (800/4000), it excels in low light and puts it squarely in cinema-grade territory comparable to ARRI, RED and Sony cinema cameras. DJI’s prime lenses (18mm to 75mm f/2.8) enable cinematic framing and shallow depth of field.

Is the DJI Mavic 4 Pro good enough for professional purposes?

The DJI Mavic 4 Pro, while not as advanced as the Inspire 3, is suitable for many professional uses. It features a 100 MP 4/3” Hasselblad sensor, 10-bit color, adjustable aperture, dual native ISO (400 and 1600 in D-Log), wide dynamic range, three focal lengths (28mm, 70mm, 168mm), and records 6K/60fps and 4K/120fps. It also has a 360-degree roll gimbal for vertical shooting.

What are the main differences between Inspire 3 and Mavic 4?

Inspire 3 has a full-frame sensor vs. 4/3” on the Mavic, 8K max resolution vs. 6K, 16-bit vs. 10-bit color depth, swappable prime f/2.8 lenses vs. three fixed focal lengths, better video codecs, independent pan/tilt in dual-operator mode, manual focus pull, and 46/55mm screw-on filter support.

What cameras and lenses do you use for fpv?

We use Sony ZV-E10 II or Sony FX30 depending on the budget. ZV-E10 is cheaper and good for risky flights; FX30 has better frame rates (120fps vs. 60fps in 4K). FX30 also has anamorphic desqueeze. Both record in S-Log3 4:2:2 10-bit. We use the Laowa 9mm f/2.8 Zero-D lens to achieve wide, low-distortion cinematic shots.

Can I or my DOP operate the camera on the Inspire 3?

The Inspire 3 offers the most intuitive professional camera operation that DJI has ever developed. If your shots are relatively straightforward, you can operate the camera on your own without much difficulty after a short training by us on the location. Having prior experience with operating remote camera heads can certainly be beneficial. However, to truly maximize the potential of the Inspire 3, it’s best to work with an experienced, dedicated drone camera operator, a service that we are fully equipped to provide.

Can you fly in any weather?

We can fly our drones safely in strong winds up to 12m/s and still get perfectly steady shots. We can fly for a short time in light drizzle or mist but not in moderate or heavy rain because the drones aren’t waterproof. Also the lens gets wet quickly in rain from prop wash. We can fly in light snow and the batteries warm themselves to work properly in subzero temperatures. However, we can’t fly in wet snow or slush because snow builds up on the drones causing erratical and unpredictable behaviour.

Can you fly anywhere in Finland with your specific license?

We can fly quite freely in most places, including cities and urban areas. But some areas, like nuclear plants and important government or military sites, are no-fly zones for everyone. Other places, such as near airports, heliports, hospitals, and major power lines, require permits. We have a good relationship with the Finnish aviation authority traficom and can usually get these permits, but it takes time. Plan ahead and don't expect to fly in restricted areas on short notice.

How can I be sure your services are legal and insured?

We are a licensed drone company following Traficom and EASA rules in the Specific Category, with valid liability insurance for commercial drone work. This ensures our flights are safe, legal, and responsible. We strictly follow Finnish and EU aviation safety laws and local airspace rules in every project. Upon request, we can provide official proof of our traficom Specific Category authorization and liability insurance.

What is your background and experience?

Our team has diverse backgrounds, including Aalto University - trained cinematographers, engineers, and even a musician. We've worked with drones since 2011, back when you had to build them yourself. Some of us also regularly work as cinematographers on movie sets.